I've known Peter well for 25 years. I'd helped him set up his first art exhibition in Lyons in 1986 with our friend the photographer Trevor Key.
The pieces Anna and Peter have made are fascinating, both as objects in themselves but also as a performance piece appealing to those voyeuristic tendancies. Watching the Reims art crowd tying themselves up in a piece made from mirrors and bondage straps, or sitting in the observation booth like purple space, I realised that the art wasn't the pieces so much as watching people interact with the pieces.
A purple box into which you can get |
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